![]() Launch the game and enjoy the new gameplay.Open the launcher and select the desired modloader.The “Mods” folder is created automatically when you install Forge or Fabric, but you can always create it manually.Type %appdata% and press “Enter” key or click OK. Quick way to get there: Press the “Windows” key and the “R” key at the same time. Open the Application Support folder and then MinecraftĬ:\Users\Your Profile Name\AppData\Roaming\.minecraft\ Type ~/Library and press the “Enter” key. Quick way to get there: Click on the desktop and then press the combination of “Command Shift G” keys at the same time. Users/Your Profile Name/Library/Application Support/minecraft/ This folder is located at the following path:.Move the “Jar” file to the “Mods” folder.You can try installing the previous build to fix this. Please note that some releases may contain bugs, incompatibilities with other modifications, and in some cases may cause conflicts within Forge or Fabric.Select the latest version of the “Jar” file that matches the game version.Download the “Zip” archive from our website.Make sure that you have the “Java” application installed.Mostly the most popular objects are preferred. For each of the options, the author creates separate JSON scripts that change 3D models of blocks of foliage, grass and bushes for each of the custom object. With each update, the compatibility list is expanded. It also has a huge amount of compatibility with other options that add new trees. For example, it optimizes the vanilla processes of foliage generation, which significantly boosts the frame rate. Additionally, the author has developed a special resource pack that further expands the basic features of the modification.
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![]() You can download the Zeon from the Pangu8 app store or official Zeon web – It has been used since iOS 14 and it was a successful repo extraction method to install jailbreak apps, themes, tweaks, games and more, So, we can list the Zeon jailbreak repo extractor as the best jailbreak iOS 16 solution according to ratings. Zeon was the most popular Jailbreak solution for iOS 15 version. The Zeon team upgraded the Zeon as the iOS 16 jailbreak solution. Learn more about the Unc0ver iOS 16 Jailbreak page.
![]() As Winkler repeatedly shows, they - and Oxfordians in particular - tend to see themselves as evangelicals on a mission, tirelessly spreading their persecuted gospel to benighted unbelievers. Still, there is one difference: Irregulars regard such playful ingenuity as merely an intellectual game, a literal jeu d’esprit. This same approach to a body of writing as a coded text, needing to be deciphered and reinterpreted, characterizes anti-Stratfordians. Watson was married five times or that Professor Moriarty was really Count Dracula. Members of the latter have produced reams of scholarship, all based on minute analysis of the Holmesian canon, to prove - for example - that Dr. Anti-Stratfordians also offer what is, in effect, a shared-world fandom, like that among Trekkies or Baker Street Irregulars. The First Folio is the common name for the first complete edition of Shakespeares plays. Why? Partly because we admire rebels and freethinkers, those who give a Bronx cheer to the stuffy power elite in any field. Nonetheless, all sorts of people find it fascinating. This resource was made possible with the help of the Footsteps Fund. It is commonly referred to as the First Folio and is one of the most important books in the history of English Literature. Smith notes that setting up the elaborate “spatio-verbal” patterning that Donnelly’s theory requires is quite impossible, given the vagaries of Renaissance printing. William Shakespeares Comedies, Histories, & Tragedies is the first published collection of William Shakespeares plays. Having acquired a facsimile of the First Folio, Donnelly detected coded messages throughout, all of them proclaiming lawyer and philosopher Francis Bacon as the true author of the plays. The other is “The Great Cryptogram: Francis Bacon’s Cipher in the So-Called Shakespeare Plays” (1888) by Ignatius Donnelly, a Wisconsin politician and author of the pseudoscience classic “Atlantis: The Antediluvian World” (1882). In correspondence with the most important Shakespearean of the age, the Irish. ![]() For one thing, the order in which we might expect these actions to take place is reversed. At precisely the same time as this election, Fuller was getting his hands on a trophy book: the 1623 First Folio. One is Charlton Hinman’s “The Printing and Proof-Reading of the First Folio of Shakespeare” (1963), which used a machine - the now famous Hinman collator - to gain new understanding of the 1623 volume by comparing pages from multiple copies. Of the many entrances and exits staged by Shakespeare’s First Folio, one of most curious and least commented upon is that of its printer and publisher, William Jaggard. UBC’s acquisition of a First Folio ensures public access to one of the world’s most precious cultural treasures.Much of this excellent book tracks what individual copies of the First Folio meant to various “owners, dealers, forgers, collectors, actors” and “scholars.” But in the chapter titled “Decoding,” Smith zeroes in on two groundbreaking volumes in Shakespeare studies, both obsessed with numbers. Of the estimated 235 copies that remain worldwide, there is only one other copy in Canada. The First Folio thus not only gave us their first appearance in print but was also the means by which they were preserved and passed on to future generations.Ĭultural properties of the First Folio’s magnitude and capacity to engage the public’s imagination are not evenly distributed around the world. Eighteen plays-including The Tempest, Macbeth, As You Like It, The Winter’s Tale and Julius Caesar-remained unpublished in any form. The Intertwined Lives Behind the First Folio Literary studies: poetry and poets Literary studies: plays & playwrights Social and cultural history. When Shakespeare died in 1616, only about half of his works had appeared in print. ![]() It is the first collected edition of Shakespeare’s plays and the foundation of his enduring legacy and reputation. The First Folio, as it is also recognized, includes thirty-six of Shakespeare’s thirty-eight known plays, edited by his close friends, fellow writers and actors. In partnership with the Vancouver Art Gallery, this tangible piece of cultural heritage will be exhibited to the public along with three subsequent seventeenth-century Folio editions of Shakespeare’s plays, marking the first time all four Folios have been displayed in Vancouver. For All Time: The Shakespeare First Folio celebrates the University of British Columbia Library’s recent acquisition of a first edition of William Shakespeare’s Comedies, Histories and Tragedies-an extremely rare book published in 1623, seven years after Shakespeare’s death, and credited with preserving almost half of his plays. This is a book that tells how a specific, magnificent, revolutionary musical season of Miles Davis has been inextricably connected with the historical period in which it was immersed.Īt the end of the sixties, while his group (the historical one with Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams) was slowly reconfiguring, Davis for some time wanted to document on disk truly “special projects” that they would transform in a sensational way the idea of jazz album itself: in particular the studio works In a Silent Way, Bitches Brew and A Tribute to Jack Johnson. There are several books on the great trumpet player, also in Italian, and satisfy almost all the needs of his many admirers. Preface by Claudio Sessa (editor), Quodlibet/Chorus Italian edition of The Miles Davis Lost Quintet and Other Revolutionary Ensembles by Bob Gluck (University of Chicago Press, 2016) And see the group’s website for news of upcoming concerts and to purchase their debut album.Miles Davis, il Quintetto Perduto e altre rivoluzioni by Bob Gluck, Quodlibet/Chorus (Spring) 2020 To witness the band and composer Sharlat having a bit of fun, see the brief video below. Together as the Quodlibet Ensemble they are sinewy, effervescent, serious, glossily entertaining. These fine musicians gelled throughout the concert. Though designated “for Four Violins,” Sharlat’s bracing Capriccio provides plenty of opportunity for all the strings to be featured. The composer makes use of Bach’s themes and classical compositional techniques to create a prismatic work of accessible modernism. A couple of sections feel like traditional fiddle dances split into multiple colors by a prism. The piece builds toward howls and screams, a furious jig, and some keening dissonance among the four lead violins. 2 as a starting point, Sharlat engineers energetic rhythmic surprises, ear-catching counterpoint, and busy, angsty drama. The Capriccio for Four Violins, Strings, and Harpsichord by Yevgeniy Sharlat is an exciting waker-upper. The beautiful music just kept going, and eventually it started to give me anxiety, as if I were listening to a unending song sung by a severely autistic person. By that time, though, I’d begun to tire of the sameness of mood. ![]() Darker harmonies marked one section toward the end. She maintained a limpid tone throughout her range her upper register mingling with the celesta’s high notes evoked faery magic.įrom top to bottom the piece came across with total seriousness and honesty Martynov seems to want not a hint of irony. At times she made me think of the passionate sweep of Heifetz at other times of the precisely tempered musicality of Joshua Bell. Soloist Katie Hyun was marvelous, bowing the melodies in the best Romantic tradition. The ensemble’s eight violins, four violas, two cellos, one bass, and keyboard filled the hall with vibrant harmonies and melodies, beautifully constructed without cliché. Though it contains neoclassical elements and hints of minimalism, this lush piece built partly on simple major scales is Romantic through and through. Vladimir Martynov surprised audiences with his unabashedly sentimental 1988 work Come In!. We were reminded that there are many ways to surprise people. A “Lament of the Wounded Musketeers” is expressively sad, almost funereal. An “Aria” features lovely spectral harmonies. In one piece each instrument plays a different folk/drinking song, producing a couple of minutes of hilarious cacophony. Other vignettes include slides, foot stomps, and percussive effects. The resulting alarming rattle suggests the noises of the battlefield. But Biber calls for a piece of paper to be held against the strings as the low-end player (in this case the bass viol) whacks them with the bow. It’s no surprise to find a march in a battle suite, for example. Each short piece in this collection from 1673 illustrates a different scene from a battle, but Biber goes beyond the ordinary. The evening began with the Battaglia suite by Heinrich Ignaz Franz Biber. Bach, all played beautifully with vigor and virtuosity. The string group’s hourlong concert at the Baryshnikov Arts Center leaped from the zany Baroque to a 21st century work inspired by J.S. The Quodlibet Ensemble showed the other night how much fun it can be to mix interesting music from widely different eras. True, ‘bald eagle’ has been fashionable for quite sometime, but now a more forested nether region is making a comeback. & so I can hold my head high knowing that the team I’ve been a part of for almost a decade (yes, it will be 10 years this February) provides that option for your lady bits. Just adjust the scarf when you are wearing it so that the seam is at the back of your neck.RE: ’ American Apparel Mannequins Now Sporting Full Bush’Īs my mother used to remind me when I decided I hated my new, super short haircut or the color I so boldy decided to dye my hair when I was a mere pubescent exploring her individuality – ‘it’s only hair, it’ll grow back.’ The American Apparel circle scarf is woven to be seamless but the seam doesn’t bother me. You can leave the edges raw because they won’t fray. I sewed over the seam twice to reinforce it: Then sew the edges together with about a 1/4″ seam. Since knit is pretty stretchy, its important to pin the layers together so that it doesn’t stretch or move when you are sewing it. Once you cut out the fabric into a rectangle, fold the scarf in half so that the top edge is aligned with the bottom edge, right sides together. When you are fabric shopping, make sure to get at least 2 yards of fabric so that you have enough to at least double loop it around your neck. The length can vary, its really up to your own preferences. The light gray scarf with the skinny blue stripes (top left corner photo) is the longest at 74″. The yellow striped one is on the shorter side at 60″ long. I also experimented with different lengths of fabric, making some scarves shorter than others. There is lots of room for error and different variations. The beauty of these scarves though is that you don’t have to cut the lines perfectly. Since the scarf is so puffy, it’s pretty forgiving if you don’t cut out the perfect rectangle. Just cut as straight as you can and the edges will roll up instead of fraying. Knit fabric doesn’t fray, so you can cut it and not worry about hemming the edges. (see how easy this is?) If your fabric is wider than 54″ (the pink knit fabric was 66″ wide) and you need to cut it skinnier, don’t fret. Most knit fabrics come 54″ wide which is perfect for these scarves! And the added bonus is that you don’t have to cut the edges of the fabric, just leave the selvage as it is. The scarf doesn’t look so hot if its skinny and limp. I think for the scarf to look good, you need to have a really wide piece of fabric so that it is extra plush and voluminous. Because it requires such a large piece of fabric, you need a large even surface to spread out the fabric, measure and cut it. The trickiest part of sewing the scarves is cutting the fabric. I got this pile of fabric all for under $20! I bought so much fabric and other sewing supplies at the Fashion District, I had to fly back to San Francisco with an extra suitcase!! With all this fabric, I made these scarves:Īnd super easy!! Essentially all you are doing is sewing the ends of a large rectangular piece of fabric together to create a circle. Lucky for me, I hit the jackpot this time and found some cute striped knits and some solids: Some days there are great selections to snatch up, some days I come up empty. ![]() This place is awesome!!! The loft is located above the Michael Levine home fabric store and there are bins and bins of remnant fabric – all for $2.50 a pound!! You sort of have to dig through piles of fabric (they have some fabric in bolts, too) so it can be hit or miss shopping there. ![]() I happened to be down in LA a few weeks ago and hit up the Michael Levine Loft in the LA Fashion District. I’ve always hard a hard time finding cute patterned knits, they just don’t carry nice knit fabrics at regular fabric stores like Joann’s Fabrics. I went with knit instead of basic cotton because its much softer and drapes nicer. You need about 2 yards of soft, stretchy knit material. The hardest part of making these circle scarves is finding the right fabric. Each scarf is pretty easy to make- takes only about 15 minutes from start to finish! This is a tutorial on how I made my knock off version. For complete blog post (where I found this) scroll to bottom of this post & click through □ Maximize your recipient’s time: People take twice as long trying to read fancy fonts, but they only spend an average of 11 seconds on an email.Instead of just rattling on about design and branding (which have plenty of merits), let’s look at some data-backed reasons for finding the right email font for your campaigns: Why does choosing the right email font matter? We’re glad you asked. While this might not sound like a problem, it can impact your emails’ overall design, layout, legibility, and quality. Why? Because email clients often don’t display specific special fonts and will default your text to a fallback font (likely one of the email-safe fonts listed below). Resist the urge to use any ol’ font willy-nilly. Instead, these give you the best shot at preventing your font from being altered. However, email-safe fonts aren’t foolproof. ![]() ![]() You can (generally) expect these different fonts to load in your recipients’ email inbox, regardless of if they use Outlook or Gmail or an Android or iPhone. Best fonts for email marketing campaignsĮmail-safe fonts tend to be accessible on the widest range of computers, devices, and applications.Here’s everything you’ll learn in this ultimate guide to emails fonts: Whether you’re designing a brand-new email newsletter or polishing your business email signature, we have the tried-and-true fonts you need. Anyone who’s sent an email with an unsupported font will know from experience.įortunately, you don’t have to guess when it comes to choosing the best email font for your campaigns. ![]() That might sound a bit dramatic, but it’s true. The best email-friendly fonts will make your campaigns shine, while the not-so-safe web fonts can make your designs crash and burn. However, not all fonts are equal, especially when it comes to your email program. That’s why you need to put the same amount of time and attention toward your email fonts as you do your copywriting-it’s the foundation of your messages. Words are a collection of characters, and characters are a collection of email fonts. Your emails are a collection of sentences and words. |
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